They're fantastic actors, first of all, I love working with both of them and I think they had a lot of chemistry with each other. How was it working with them on a lighter scene, with still plenty going on under the surface? I was struck by the scene in the dive bar between James and Alice passing shots. RELATED: The Overlooked Phantasm Movies Paved the Way for Supernatural ‘80s Slashers He's very charming and good-looking and all these things so when he starts to unwind and go down a rabbit hole and lose a grip on some rationality, it starts to feel unsettling. Harry's an amazing actor and can draw you in because he's so relatable. He's active and trying to accomplish tasks, and hopefully, you'll start to get the feeling of paranoia the same way he does. We see this person and get inside of him looking at him doing mundane things. It's a first-person, subjective but also differentiating between the media he's consuming, his dreams and the future and past starting to blur and, within that, the audience is hopefully taken on a ride similar to what he's going through while also having the privilege having the parallax view of what he's doing and also having the tension and suspense of being afraid for someone. I think because this is a very first-person, subjective narrative and all the good and bad that comes with that. Harry's just brilliant! He's wonderful to work with but also very smart about rhythm, which is something I'm also interested in. How was it working out that sense of pacing with Harry Shum, Jr.? Over the film, we see James start to progressively unravel and lose his grip on this growing obsession. We shoot it really formalistically in the first part and then it eventually unwinds like the videotape for the main character. It was like the idea of having the visuals, that Scott and I talked a lot about, that should really become psyche. We took the score and ran it through video recorders to degrade it. “CHECK OUT BROADCAST SIGNAL INTRUSION AS SOON AS YOU CAN.Ben Lovett also did that with the score. “ BROADCAST SIGNAL INTRUSION IS A MIDNIGHTERS GEM.” “FROM BEGINNING TO END, BROADCAST SIGNAL INTRUSION IS BOLD, CONFIDENT, ENTERTAINING AND STYLISH WHILE NOT BEING TOO FULL OF ITSELF OR META IN ITS DELIVERY.” “THE SCRIPT BY PHIL DRINKWATER AND TIM WOODALL AND THE SURE DIRECTION OF JACOB GENTRY CREATES A CHILLING BIT OF PSYCHOLOGICAL HORROR.” “ BROADCAST SIGNAL INTRUSION COLLECTS AN ASSEMBLY OF TOUCHSTONES THAT BECOMES AS UNIQUELY UNUSUAL AS A MAN IN A MAX HEADROOM MASK HUMMING THE THEME TO “CLUTCH CARGO” WHILE SPOOFILY SHILLING COCA-COLA.” “ BROADCAST SIGNAL INTRUSION EMBRACES ITS ENIGMATIC ELEMENTS, DRAWING THE VIEWER INTO A VERY ENTERTAINING INVESTIGATION, WHERE NOTHING IS EVER QUITE WHAT IT SEEMS.” QUIRKY, NOSTALGIC, AND DEEPLY ENTRENCHED IN NOIR AND HORROR, BROADCAST SIGNAL INTRUSION IS AN ENTRANCING MYSTERY THAT’S SINISTER AND SMART.” “THE ATMOSPHERE AND AMBIENCE IS INCREDIBLE, BOLSTERED BY TWO FANTASTIC LEADS, AND FABRICATES A FASCINATING WORLD FULL OF ODDBALL CHARACTERS, LOST TO TIME TECHNOLOGY, AND A HEART ON ITS SLEEVE DEDICATION TO THE BONKERS WORLD OF EARLY ENTERTAINMENT AND ONLINE MEDIA. “ BROADCAST SIGNAL INTRUSION REMAINS A BEAUTIFULLY EERIE NEO-NOIR MYSTERY DRENCHED IN ANALOG TERROR.” DELIVERS AN ABSOLUTE POWERHOUSE OF A LEAD PERFORMANCE AND THE VISUALS AND ATMOSPHERE ARE APPROPRIATELY HAUNTING, RESULTING IN A FAIRLY CHILLING RETURN TO THE OMINOUS TECH-BASED HORROR OF THE PAST.” “GENTRY’S DIRECTION IS SLEEK AND SUPERB, HARRY SHUM JR. “AN OBSESSIVE, NERVE-SHREDDING THRILLER FRAMED AROUND ABSOLUTELY TERRIFYING SIGNAL INTRUSION SEQUENCES.” – FORBES – SITE WITH 114 MILLION UNIQUE VISITORS PER MONTH “IT’S AN EFFECTIVE NOIR-THRILLER WITH A STRONG CENTRAL PERFORMANCE, SMART DIRECTION AND CINEMATOGRAPHY CHOICES, AND A FLAWLESS NOIR SCORE-A JOURNEY ABSOLUTELY WORTH TAKING AND UNLIKE ALMOST ANYTHING YOU’LL FIND THESE DAYS.” – GIZMODO / IO9 – A SITE WITH 5 MILLION UVPM BUT THERE’S A DECIDEDLY 1990S ANGLE TO SAID MYSTERY THAT BRINGS BROADCAST SIGNAL INTRUSION INTO ITS OWN REALM OF TECHNOLOGY, MELANCHOLY, AND MENACE.” JAMES IS SORT OF A CLASSIC, HAUNTED-BY-THE-PAST FILM NOIR CHARACTER BLENDED WITH THE MAIN CHARACTERS IN THRILLERS LIKE BLOWUP AND BERBERIAN SOUND STUDIO, AS HE STUMBLES ACROSS A DARK CONSPIRACY THAT SEEMS CONNECTED TO A VERY PERSONAL MYSTERY THAT’S OVERWHELMED HIS LIFE. “IT UNFOLDS LIKE A NOIR, A VIBE HELPED ALONG BY ITS GLOOMY COLOR PALETTE AND THE WAILING TRUMPET THAT PUNCTUATES ITS SCORE. RANKED AMONG THE BEST FILM AT SXSW 2021 BY USA TODAY, LA WEEKLY AND SYFY WIRE
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |